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When a character no longer holds back, when he reveals a true response through dialogue, he’s showing who he is and what’s important to him.ĭialogue as a response can thus be quite powerful. Consider using a response that’s out of character for your character. When you consider a response for your characters, think about using dialogue, keeping in mind how it can raise the level of conflict in a scene. Or, the words of his dialogue can be involuntary, pulled from him against his will as a response to what he’s seen or heard from others.
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“Damn you.”ĭialogue as a response can be deliberate, allowing one character to steer other characters in the direction he wants them to go, leaving him in charge. “Kel-” He clamped his lips together, took another step back. Paul, hands tightening, stepped away from her. Kelly, hand held low on her belly, said, “He’s not yours, Paul.” Or, his words might be torn reluctantly from a character. While the lack of a response might actually reveal a facet of a character’s personality, that personality should also be revealed by what he does respond to.Ĭharacters respond to events and other characters through what they say or don’t say, what they do and don’t do, what they think, and what they feel.Ī character may respond with dialogue, lashing out with angry or passionate words. A response hidden from the reader is the same as no response. Characters can keep their emotions hidden from other characters but not from readers. But if he has no response-if the reader can’t see a response of any kind-then there isn’t one. If one character confesses a deep and long-held secret to another and the second character has no response-no reaction in action or thought or dialogue-then the writer is saying that such a confession holds no meaning for that second character.Ī character does not need to reveal his response overtly to other characters, of course. Writers direct readers into key revelations by showing character response.Ĭonversely, when there is no response, the writer has shown that words or actions or event have little meaning for a character. She focuses on that response and on what causes it and thinks something’s going on here. When a character responds to the actions or words or intentions of another character, the reader notices. If a character goes after the man who’s gone after his dog, readers know that the dog means something special to that character or that he is possessive/selfish, unwilling to let others touch or hurt what belongs to him. Reactions reveal issues that mean something for a character. They indicate issues that are important to the character, issues including those hot-button topics that are guaranteed to set off a character each time they’re visited in the story. The actions and words of others that draw a response from a character tell what bothers that character. I’ve written a lot about characters at The Editor’s Blog, but I’d like to take a deeper look into character reaction, the response of a character to the actions or words of another character or to a story event.Ī character’s reactions can reveal facets of his personality that cannot be revealed by action or dialogue initiated by that character. Octoby Fiction Editor Beth Hill last modified October 20, 2011